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Double level layouts

3915 Views 34 Replies 8 Participants Last post by  regme
There seems to be quite a bit of interest in having a higher level in recent threads so rather than answer one I'll give my views on the subject in general, my layout has twin levels and this idea came from my father who was I think inspired by the GNR at Halifax, anyway my current and recent lauouts have had a gradient and so here goes.

The gradient - Generally I have two double track ramps at 1 in 33, to arrive at this I did a lot of testing, it seemed OK as the real railway has grades of 1 in 40 - Somerset and Dorset, again 1 in 40 South Devon banks, 1 in 37 Lickey but then could go tighter to 1 in 19 Rochsoles, Marylebone down to Circle line, and others. I examined fathers layout and his was about 1 in 19 and it worked but it looked too steep, 1 in 27 Werneth incline Oldham, Exeter St Davids to Queen Street is 1 in 37 whilst Peco will tell you 1 in 36 is as tight as you should consider.

Going uphill is a matter of traction so a big train towed by a 4-4-0 will struggle at these gradients depending upon the loads of course but even so can climb light engine but the mighty Bachmann 9F will tow anything up a Werneth incline.

In fact when I tested this matter the biggest issue was coming down where droopy weak tension lock coupling jammed up, the old metal loop Wrenn couplings hardly noticed the gradient coming down,

On testing I tried a variety of other ideas such as using a Bemo/Roco type coupling and some other continental ideas and in the end discarded all except for the Bemo style and the dear old tension lock even the droopy type.

Overfilled MPD on the right shows the high level at 132mm above the baseboard level of the 4 track main line below

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Hmm the main girder would be the front one of a line of them behind and not simply supported by the single girder at the front, naturally I do not show these extra supports
Yes, that is true. In your case, there would be multiple girders parallel to the outer girders, possibly constructed as multiple spans next to each other. You may or may not see the girders between the parallel tracks, depending on how it was constructed. There would also be cross-member girders spanning between the parallel main girders.

The challenge with this of course, is that you have pointwork on your bridge which would have to support trains transitioning between parallel bridge spans.
In practice, the permanent way engineer would try to avoid placing turnouts on a bridge if possible, because such layouts would impact the construction (and cost) of the bridge. However, if there was a requirement that it had to be done, the engineers involved would need to engineer a viable solution at a reasonable cost.
This is the sort of thing that when it is 'done right' on a model layout, it 'looks right' and adds to the overall appearance of accuracy - makes it look like the modeller 'modelled what they see' rather than what they 'think they see'.
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Building Sky Infrastructure Road surface Architecture



One for you Graham, this is the Great Ducie Street Bridge in Manchester at the top end of Deansgate it carries a number of lines, was heavily loaded in the last 150 years so just why is it still standing?
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Because the routes are still active and Network Rail didn't fancy the insurance bill for not refurbishing them up to scratch. Possibly the decorative work was influenced by someone putting a Listed category on it?

Julian
View attachment 21941


One for you Graham, this is the Great Ducie Street Bridge in Manchester at the top end of Deansgate it carries a number of lines, was heavily loaded in the last 150 years so just why is it still standing?
Kris,

I don't know the location, but looking at that picture, that bridge looks like it has been widened. It looks like the original span is the one further away with the supporting arch structure.
The later addition appears to be the closer span which, as I think you are alluding to, has no intermediate supports. The answer to this is simple: look at the height of the side girders themselves - they are huge - and that is where the strength is and evidently, the engineering deemed that it was sufficient not to require intermediate supports.
Also look at how the girders sit on the stone buttresses each end - the girders are not 'cosmetic' attachments to the sides of the deck as most modellers model them!
You can also see the cross members underneath which support the track bed. I modelled all of this on my girder bridge: Modelling a Steel Bridge - Model Railways On-Line
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Hello,
thanks for adding me as a new member of this great community.
A multi-deck layout:

From experience, this type of metallic extension to an existing masonry arch structure probably looks something like the below in elevation and section:
Rectangle Slope Schematic Line Font


Rectangle Slope Schematic Parallel Font


Note however from the above that whilst it looks like the RHS ('inside') girder bears onto the masonry, it does not - it is supported by the abutments on either end of the arch instead. As a general rule you don't want to apply point loads to an arch if you can avoid it...

Note also that the above structure utilises longitudinal wheel timbers to support the track, a feature not often modelled...

Regards,

Cameron.
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Hello,
thanks for adding me as a new member of this great community.
A multi-deck layout:

Welcome to the forum!

An interesting link. Effectively looks to be a set of separate layouts stacked together, with track access supplied through inclines/helixes. An interesting concept, particuarly if one is wanting to tackle multiple different scenes in a small(er) space..!

Regards,

Cameron.
Hi

Earlier on you spoke about transitions for the grades how long did you make the transition from 0% to 3%?

Cheers
The transition gradient is about 2 feet long, I'll check later but also I used straight upward section I did not use a curve on the climb from the flat bottom, the transition at the top is not too critical but you just need to make sure the bogie wheels do not lift clear then they wiil not come down correctly as the loco goes over the hump. so the finer the flanges the longer the transition gradient.
The Great Ducie Street Bridges were widened a few times as this section is between Exchange Station to the left and Victoria to the right (when viewing the photo above) and also once had across it the then world's longest platform, I remember it quite well. Plate girders become into compression on a bridge and this is best avoided, a good example being the steel bridge at Crumlin (famous for use in the film Arabesque) where near the whole structure was in tension, in such cases the steel is effectively three times stronger than in compression. Cast iron plates would therefore not really be the structural member although they might be helpful in a secondary role.
Just to add I made the transition gradient the same upper end thickness as the main board I cut a ramp from thus it was from 0 to 12 mm, after than I go a little less sharp about 1 in 50 before going 1 in 33, I sort of mucked about un til I was happy, most locos have no difficulties but I use generally 2-8-0 and 4-6-0 and 9F's, the sort wheelbase Bachmann SDJR 2-8-0 is a favourite as is the B1, B17 and O7(austerity).
No worries, I was looking to use a vertical curve but converting from real world to HO scale meant I needed a 14m long VC (the layout is only 4m long). So I might just do a 1% change in grade every 250mm, that way I do not need to introduce a vertical curve (that's for road design) and see how that goes.
No worries, I was looking to use a vertical curve but converting from real world to HO scale meant I needed a 14m long VC (the layout is only 4m long). So I might just do a 1% change in grade every 250mm, that way I do not need to introduce a vertical curve (that's for road design) and see how that goes.
i am not quite sure if I understand the [I think] gradual increase in gradient, every 250mm. However, given the shortest distance between 2 points is a straight line [also = the minimum gradient], it would seem that there should be a suitable transition to the gradient and exit and constant gradient between. [ie. slower gradients at the lower end will mean steeper compensatory gradients further up the slope - a bit like putting an S shape in place of the straight line]

Julian
Regme not sure how you got to that, this poor pic shows the transition from the initial transition phase to the steady incline the transition gradient meets a 12mm plank that again connects with a box I did it this way because you are looking at a 90 degree curve it here climbs at a bit under 1 in 33 before it hits the long drag

The initial phase here shows the packer shaped to fit I have never measured this because it had to fit between points and the curve and not be too high to foul the tunnel mouth so it all went together nicely.
Hi

Apologies, as usual I have over engineered this

Here is my reasoning, a vertical alignment is a series of straight grades connected by vertical curves. However I have yet to see a layout where the rail line undulates to follow the landscape, we mainly have flat areas connected by grades. Although an undulating layout would be interesting.

Vertical curves can be defined as
L = K x A
Length of VC (m) = Length of VC for 1% change in grade x Algebraic grade change (%)
Rectangle Slope Triangle Font Parallel

So in rail design the K value is about 610 for sags and crests. This will more than likely vary depending on the design requirements of the stakeholder.

For roads the same applies, however depending on the speed you do not need a VC for a minimum change in grade. This is a bit contentious as the scale speed does not equal real world speed (that's another thread).

In road design for 40km/h the minimum change in grade I can have is 1% before I need a VC. As the speed increases so the change in grade decreases. Technically I'm not sure if this applies to rail design, I'm thinking no, but this makes sense to me.

The 250mm I got from the length of the wagons I'll be running, so each wagon will be on a different grade ( ie 1% and 2%) rather than a wagon being on a 1% grade and the other sitting on two grades 2% and 3% although now that I have typed it, I should extend that to the loco length.

By not using a VC I can shorten up the transition from one grade to the next, this only really works for low speed environments, which is what I will have.

I agree with what you both have said, I'm just skinning it differently. Since what is done in the real world does not necessarily translate to HO scale.

Julian, in your case I would more the start of the transition back so you do not need a steeper compensatory gradient between the transitions, but that also depends on how much space you have.

Cheers
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